Marc and I used to go to bed at night trying to make each other laugh. (It was successful.) On the morning before his daughter’s Barnard graduation in May, I met Wilmore - genial, bespectacled, unexpectedly fiery - for coffee, during which he spent several hours reminiscing, laughing, and shaking his head about the past three decades in comedy TV.
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His 2002 Emmy win for the last made history: Wilmore was the first Black TV writer to triumph in the comedy category - only for his “mole” at Fox Television to uncover a plot to oust Wilmore shortly after. But he earned his stripes as a writer, creator, and producer on beloved comedies like The Fresh Prince of Bel-Air (“a mess”), The PJs (“One of the best shows of all time,” Chris Rock told him), and maybe most notably The Bernie Mac Show. Younger audiences are probably most familiar with Wilmore, now 60, from his hosting gig on the short-lived satirical news program The Nightly Show - a racially pointed spinoff of The Daily Show With Jon Stewart, on which Wilmore played the senior (and only) Black correspondent - or the glowing praise he has since received from his mentees Issa Rae, Robin Thede, and Quinta Brunson. That was just the beginning of the golden age of the Black sitcom, and Wilmore, along with his younger brother and fellow comedy writer, Marc, played key roles in how it unfolded. The show became a cultural cornerstone of the early 1990s, launching the careers of Jim Carrey and Jamie Foxx and giving Wilmore a role model, in showrunner Keenen Ivory Wayans, for what would become his career mission: putting Black creators in control of Black TV.
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suburb of Pomona, the high-school athlete turned theater geek had been touring the Southland as a stand-up comedian for almost a decade when he joined the writers’ room of a new series called In Living Color. Raised in a tumultuous household in the East L.A. If at any point in the past 30 years you were amused by the high jinks in a Black sitcom, chances are Larry Wilmore had something to do with it.
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